Sotheby’s Musical Instrument AuctionsCopyright © 2009 CBH |
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Early Musical Instruments Sussex
|
| LOT | KEYBOARD INSTRUMENT DESCRIPTION | ESTIMATE | RESULT |
|---|---|---|---|
| 5 | Pehr Lindholm: Bundfrei Clavichord, Stockholm 1792 | 3.5–5K | 4840 |
| 44 | Grand Pianoforte, Austria, probably Vienna, first quarter of the 19th century | 3–5K | 8800 |
| 48 | Jacob & Abraham Kirckman: Two-manual Harpsichord, London 1789 | 60–80K | 55000 |
| 65 | George Dettmer & Son: Square Piano, London c1825 | 500–800 | 220 |
| 66 | Robert Woffington: Single-manual Harpsichord, Dublin c1770 | 30–35K | 30800 |
| 70 | (Wilfred) Alec Hodsdon: Unfretted Clavichord, Lavenham 1933 | 300–500 | 286 |
| 73 | Jacob Bertsche (alias Bärtsche or Pertsche): Grand Pianoforte, Vienna c1815 | 20–25K | 19800 |
| 114 | Square Piano, Spanish or Italian, c1780 | 2.5–3.5K | 3740 |
| 121 | John Broadwood & Son: Grand Pianoforte, London 1805 | 4–6K | - |
| 125 | Jacob & Abraham Kirckman: Single-manual Harpsichord, London 1772 | 25–35K | 22000 |
| 131 | John Feldberg: Two-manual Harpsichord, Sevenoaks c1960 | 600–1K | - |
| 136 | Thomas Hitchcock the Younger: Spinet, London c1725 | 15–20K | - |
| 137 | Ascribed to Domenico of Pesaro: Single-manual Harpsichord, Italy third quarter of 16th century and later | 50–60K | - |
| 144 | Polygonal Virgianls, Possibly Venetian 17th century | 8–12K | 11550 |
| 145 | Thomas Hitchcock the Younger: Spinet, London c1725 | 10–15K | - |
| 147 | (Wilfred) Alec Hodsdon: Two-manual Harpsichord, Lavenham 1967 | 1.5–2K | - |
| 167 | Conrad Graf: Grand Pianoforte, Vienna c1835 | 20–25K | 13200 |
| 170 | Museo [sic] Clementi: Square Pianoforte, London 1805 | 600–800 | - |
| 174 | Ascribed to Monzani & Cimador: Square Piano, London c1805 | 1–1.5K | 880 |
| 184 | (Wilfred) Alec Hodsdon: Rectangular Virginals, Lavenham 1953 | 600–800 | - |
| 188 | John Broadwood & Sons: Cabinet Piano, London c1835 | 350–450 | 748 |
| 191 | Bundfrei Clavichord, Scandinavian probably Danish c1770 | 4–6K | 7700 |
| 192 | John Broadwood & Sons: Square Piano, London 1814 | 300–500 | 330 |
| 193 | Longman & Broderip: Square Piano, London 1769 | 600–800 | 715 |
| 196 | John Morley: Unfretted Clavichord, London c1970 | 600–1K | 550 |
| 199 | Broadwood & Sons: Grand Pianoforte, London 1814 | 10–15K | - |
| 203 | Michael Heale: Virginals after Thomas White, Guildford 1981 | 4–5K | - |
| 205 | Longman & Broderip: Square Piano, London c1775 | 200–300 | 330 |
| 213 | (Wilfred) Alec Hodsdon: Unfretted Clavichord, Lavenham 1953 | 600–800 | - |
| 218 | Follower of Thomas Goff: Unfretted Clavichord, London c1970 | 1–1.5K | - |
| 224 | George Astor & Co: Square Piano, London c1800 | 2–3K | - |
| 235 | John Broadwood & Sons: Grand Pianoforte, London c1835 | 2–3K | - |
| 244 | Joseph Simon: Grand Pianoforte, Vienna c1802/30 | 25–35K | - |
| 245 | Anton Walter & Sohn: Grand Pianoforte, Vienna early 19th century | 80–100K | - |
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