2018 Carmel Bach Festival Early Keyboard GalleryCopyright © 2018 CBH |
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INSTRUMENT | The Italian Harpsichord after Grimaldi | The Flemish Double Harpsichord | The Flemish Double Harpsichord after 1624 “Colmar” Ruckers | The German Double Harpsichord after Mietke | The Continuo Organ |
The Continuo Organ |
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PICTURE |
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DISPOSITION | 2 x 8´, no buff Both registers movable by stop levers on wrestplanks |
2 x 8´, 1 x 4´, buff on back 8´ Stop registers worked by levers through nameboard |
2 x 8´, 1 x 4´, buff on back 8´ 4´ register worked by lever on wrestplank |
2 x 8´, 1 x 4´, buff on front 8´ 4´ register worked by lever on wrestplank |
8´, 4´, 2´, 11/3´ Divided stop registers (Quint to treble only) |
8´, 4´, 2´, 22/3´ Divided stop registers (Quint to treble only) |
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RANGE | One 56+1-note boxwood & cherry keyboard with skunktail sharps GG–d''' |
Two 56+1-note keyboards with bone naturals and solid grenadilla sharps GG–d''' |
Two 55-note reverse keyboards with bone-slipped sharps GG,AA–d''' |
Two 60-note reverse keyboards with gold painted arcades & bone-slipped walnut sharps FF–e''' |
One 54-note reverse keyboard with cherry sharps C–f''' |
One 54+1-note reverse keyboard with snakewood sharps C–f''' |
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TRANSPOSITION | A415/A440 | A415/A440 | A415/A440 | A415/A440 | A415/A440/A466 | A415/A440 | ||||||||||||
STRINGING | Strung in US Yellow Brass wire | Strung in US Red & Yellow Brass, and US Soft Iron wire | Strung in Malcolm Rose Red & Yellow Brass, and Soft Iron wire | Strung in Malcolm Rose Yellow Brass wire (except top four notes of 4´ choir in iron) | All wooden pipes | All wooden pipes | ||||||||||||
ACTION | Traditional beech jacks with black Celcon plectra in oak boxguide | Tapered pearwood jacks with Canada goose quill plectra, black Celcon for 4´, leathered registers | Tapered pearwood jacks with Canada goose quill plectra, black Celcon for 4´, leathered registers | Wooden jacks with bottom screws & Delrin plectra | Mechanical | Mechanical | ||||||||||||
CONSTRUCTION | False inner-outer construction with cypress inner case and limewood
exterior case, Swiss pine soundboard, walnut bridge, nut & wrestplank veneer |
Basswood case, lid & bottom, Swiss pine soundboard, pearwood 8´ bridge, beech 4´ bridge | Lime case, lid & bottom, Italian alpine spruce soundboard, pearwood bridges & rails | Walnut case with double bentside, walnut bridges & rails, walnut-veneered lid | European cherry case Self-contained 110V blower |
European cherry case Self-contained 110V blower |
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DECORATION | Hand-rubbed painted finish, Florentine decoration by Adrian Card Ornamental iron lid flap hinges |
Soundboard painting in appropriate style Gilded rose Handpainted marbled exterior, bright mouldings Flemish papers to keywell, case rim and lid, mottos in Hebrew: SING UNTO THE LORD A NEW SONG SING, O BARREN ONE, YOU WHO ARE WITHOUT ISSUE, CRY ALOUD AND SHOUT FOR JOY
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Distressed soundboard painting in appropriate style Gilded rose Distressed handpainted grey case, bright mouldings, Ruckers-style brass hinges Distressed hand-printed Flemish papers to keywell and case rim Lid painting by Millicent Tomkins |
Keywell scrolls Undecorated soundboard |
Pierced panels to sides & back | Pierced panels to sides & back | ||||||||||||
STAND & ACCESSORIES | Painted turned beech stand & lid stick Walnut music desk |
Turned trestle stand in oak Matching music desk & lid stick |
Turned trestle travel stand in ebonized mahogany Cherry music desk & lid stick |
Twist-turned four-leg trestle stand painted black Walnut music desk & lid stick |
Instrument rests directly on floor | Instrument rests directly on floor | ||||||||||||
SIGNATURE | KEVIN FRYER • SAN FRANCISCO • 1988 | KEVIN FRYER • SAN FRANCISCO • 1990 | [unsigned — KEVIN FRYER 2003] |
KLINKHAMER KLAVIER INSTRUMENTENTMACHERS AMSTERDAM 2014 |
GC KLOP GARDEREN |
[unsigned — GC KLOP GARDEREN] |
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PROVENANCE | Private ownership, San Francisco |
Private ownership, Las Vegas, NV |
Kevin Fryer Harpsichords | Private ownership, Castro Valley |
San Francisco Bach Choir | UC Berkeley | ||||||||||||
CONCERT USE Subject to change |
Mon concert; Wed Mission concert; Best of the Fest | Mon, Tue & Wed Intermezzi | Thu Foyer recitals; Thu Twilight in the Cathedral | Sat & Tue concerts; Wed Foyer recitals; Thu Jul 19 concert | Sun concert; Tue Foyer recitals; Thu Twilight in the Cathedral; Sat Jul 28 recital; Best of the Fest | Sun concert; Mon, Tue & Wed Intermezzi; Wed Mission concert; VBA Showcase | ||||||||||||
All the early keyboard instruments (except †) are procured and delivered by Kevin Fryer Harpsichords. All early keyboards prepared throughout the Carmel season by Carey Beebe. |
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